{"id":805,"date":"2011-10-09T09:52:08","date_gmt":"2011-10-09T08:52:08","guid":{"rendered":"http:\/\/www.mediosmejoresqueganenmas.org\/?page_id=805"},"modified":"2014-05-22T20:01:27","modified_gmt":"2014-05-22T19:01:27","slug":"blanca-de-lizaur-hitos-profesionales","status":"publish","type":"page","link":"https:\/\/mediosmejoresqueganenmas.com\/en\/blanca_de_lizaur-about-me\/blanca-de-lizaur-hitos-profesionales","title":{"rendered":"Professional benchmarks"},"content":{"rendered":"<p>1985: Finalist, Telenovela Writers&#8217; National Contest, organized by Televisa, Mexico. Awarded with telenovela scriptwriting courses in Televisa.<\/p>\n<p>1986: Part of the pool of writers, of the humour-with-social-message <em>\u00a1Qu\u00e9 nos pasa!<\/em> national TV program, during the season in which it topped audience ratings.<\/p>\n<p>1986-1989: Collaboration (different departments), Televisa: San Angel (TV production), New projects and Radio branches.<\/p>\n<p>1992: &#8220;La literatura marginada: Visi\u00f3n de una forma cultural&#8221; (<em>i. e.<\/em> &#8220;Marginalized literature: Vision of a cultural construction&#8221;), in <em>Oralidad y Escritura<\/em>, Eugenia Revueltas and Her\u00f3n P\u00e9rez Mart\u00ednez, comps.; Zamora, El Colegio de Michoac\u00e1n.<\/p>\n<p>1994: Congreso de Diputados (Congress\/House of Representatives, Mexico): Public Consultation in regards to Social Communicaci\u00f3n Matters.<\/p>\n<p>1995: &#8220;\u00bfEsclavos de los &#8216;medios&#8217;?&#8221; (<em>i. e.<\/em> &#8220;Media slaves?&#8221;), in<em> Etc\u00e9tera<\/em> #125; and &#8220;Respondiendo a las objeciones&#8221; (<em>i. e.<\/em> &#8220;Responding to objections&#8221;) in # 138.<\/p>\n<p>1996: &#8220;La telenovela como literatura popular&#8221; (<em>i. e.<\/em> &#8220;Telenovela as popular literature&#8221;) in <em>\u00c1nthropos <\/em>166-167, Spain.<\/p>\n<p>1997: &#8220;Telenovela&#8221;; in <em>Encyclopaedia of Mexico<\/em>, Fitzroy Dearborn Publishers (also included in the abridged version: <em>Concyse Encyclopaedia of Mexico<\/em>, 2001).<\/p>\n<p>1997: Woodrow Wilson Center (Smithsonian Institution Tower), Washington, D.C., United States of America. &#8220;Angels without wings&#8221; paper, at the <em>Representing Mexico<\/em> conference, co-sponsored by Yale University.<\/p>\n<p>1998: &#8220;La telenovela como melodrama y su aprovechamiento pedag\u00f3gico&#8221; (<em>i.e. <\/em>&#8220;Telenovelas as melodram, and their pedagogical uses&#8221;), TV program and book chapter in <em>El uso pedag\u00f3gico de la televisi\u00f3n<\/em>, study reader for teachers and parents; Inst. Latinoamericano de la Comunicaci\u00f3n Educativa (I.L.C.E.).<\/p>\n<p>1999: &#8220;Cuando y por qu\u00e9 mueren los medios&#8221; (<em>i.e.<\/em> &#8220;When and why do media die&#8221;), in <em>1er Congreso Internacional A favor de lo mejor [en los medios de comunicaci\u00f3n]<\/em> (1st International Conf. on What is best in media), National Auditorium, Mexico \u2013lecture, video, and printed proceedings.<\/p>\n<p>2001: Public Consultation in regards to Gender and Equality Matters, co-sponsored by the Presidential Office and the Institute for Women (InMujer), Mexico.<\/p>\n<p>2002: &#8220;Yo <em>siento<\/em> la verdad y t\u00fa la <em>lees<\/em>, por eso no nos podemos entender; la mentalidad oral, la alfabeta, y el conflicto de Chiapas&#8221; (<em>i.e. <\/em>&#8220;You trust <em>papers,<\/em> I trust <em>people<\/em>; that is whay we cannot come to terms. Orality, literacy, and the Chiapas conflict&#8221;) in<em> Revista Digital Universitaria<\/em> (RDU), UNAM.<\/p>\n<p>2002 and 2003: Grant by the Mexican National Endowment for the Arts (Fondo Nacional para la Cultura y las Artes, de M\u00e9xico), for postgraduate studies abroad.<\/p>\n<p>2002: Radio show <em>Espacio Universitario,<\/em> interview by Jaime Litvak King (r.i.p.), founder of the Inst. de Investigaciones Antropol\u00f3gicas (Anthropological Research Inst.); Radio Universidad, UNAM.<\/p>\n<p>2002: Walter Ong, former MLA (Modern Language Assoc. of America) president (r.i.p.), Saint Louis University; visit.<\/p>\n<p>2002: Stanford University, visiting scholar.<\/p>\n<p>2003: Radio show <em>Sinton\u00eda A.M.I.C.<\/em>, interview by Patricia Maldonado, PhD, and Vicente Castellanoso, PhD, then presidents of the Asoc. Mex. de Investigadores de la Comunicaci\u00f3n (National Assoc. of Communication Research).<\/p>\n<p>2004 to 2006: Cervantes Grant (sponsored by the University of Alcala and Grupo Santander), in the 400th anniversary of Don Quixote&#8217;s first printing.<\/p>\n<p>1986-2011: Research in regards to what pleases media audiences and how media influence us, from which a <strong>new literary theory<\/strong> resulted, <strong>for<\/strong> <strong>popular-consumption works<\/strong> \u2013PhD dissertation, <em>summa cum laude<\/em>.<\/p>\n<p>2010: Attendance to courses and seminaries related to our field of study, organized by the ILLA (Language, Literature and Anthropology Institute), part of the CCHS (Human and Social Sciences Center) &#8211;both belonging to the CSIC (Higher Council for Scientific Research of Spain).<\/p>\n<p>2011: &#8220;The language of telenovela and popular literature in general&#8221;, International Conference, ALFAL (Latin American Linguistic and Philological Assoc.).<\/p>\n<p>2011 to 2014: Attendance to the Forum on Cultural Industries (editions III through VI), organized by the Alternativas Foundation and the Santillana Foundation at the Reina Sofia Museum, Madrid.<\/p>\n<p>2011: Birth of this web: www.BetterAndMoreProfitableMedia.org<\/p>\n<p>2012: \u201cThe way our brain works and human expressi\u00f3n. Implications to Literature, Media and research&#8221;. Or:<em> &#8220;&#8230;A few reasons for hope\u201d<\/em>, IV Conference for Young Researchers, University of Alcala (U.A.H.).<br \/>\n<\/p>","protected":false},"excerpt":{"rendered":"<p>1985: Finalist, Telenovela Writers&#8217; National Contest, organized by Televisa, Mexico. Awarded with telenovela scriptwriting courses in Televisa. 1986: Part of the pool of writers, of the humour-with-social-message \u00a1Qu\u00e9 nos pasa! national TV program, during the season in which it topped&#8230;<\/p>\n","protected":false},"author":5,"featured_media":687,"parent":47,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-805","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/mediosmejoresqueganenmas.com\/en\/wp-json\/wp\/v2\/pages\/805","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mediosmejoresqueganenmas.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mediosmejoresqueganenmas.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mediosmejoresqueganenmas.com\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/mediosmejoresqueganenmas.com\/en\/wp-json\/wp\/v2\/comments?post=805"}],"version-history":[{"count":40,"href":"https:\/\/mediosmejoresqueganenmas.com\/en\/wp-json\/wp\/v2\/pages\/805\/revisions"}],"predecessor-version":[{"id":3133,"href":"https:\/\/mediosmejoresqueganenmas.com\/en\/wp-json\/wp\/v2\/pages\/805\/revisions\/3133"}],"up":[{"embeddable":true,"href":"https:\/\/mediosmejoresqueganenmas.com\/en\/wp-json\/wp\/v2\/pages\/47"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mediosmejoresqueganenmas.com\/en\/wp-json\/wp\/v2\/media\/687"}],"wp:attachment":[{"href":"https:\/\/mediosmejoresqueganenmas.com\/en\/wp-json\/wp\/v2\/media?parent=805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}